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at the original "accidental" slabs were made and stayed, at the curb, on the sidewalk, until 1958, when they were removed for the Hollywood Wa
lk of Fame. When they stepped up off the curb, they accidentally walked on wet cement and left a trail of footprints from the stre
et to the front doors of the theater ... The stars, seeing what they had done, grabbed a nail on the ground and signed their names next to their footprints, Pickford even dated it." — Marc Wanamaker, Hollywood Heritage Museum. Still another account by Klossn
er recounts that Klossner autographed his work next to the right-hand poster kiosk and that Grauman and he developed the idea then and there. His autograph and handprint, dated 1927, remain today. (Note: In 1949, Klossner's story changed to say that Grauman had accidentally stepped into the wet concrete.) The theater's third founding partner, Douglas Fairbanks, was the second celebrity after Talmadge to be immortalized in the concrete. In 1929, Grauman decided to retire and sell his share to William Fox's Fox Theatres chain. However, just a few months later, Howard Hughes convinced Grauman to return to the theater, because he wanted Grauman to produce the world premiere of his aviation epic Hell's Angels, which would also feature one of Grauman's theatrical prologs before the film. Grauman remained as the theater's managing director for the entire run of Hell's Angels, retiring once again after its run finished. Unsatisfied with retirement, though, Grauman returned to the theater as managing director on Christmas Day 1931 and kept that position until his dea
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