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Trainor's debut extended play (EP), Title, was released on September 9, 2014. Trainor and Kadish composed its songs. The EP peaked at number 15 on the US Billboard 200 and at number 17 on the Canadian Albums Chart. Stereogum and Out noted the EP proved Trainor could outlast the success of her debut single. Music critics including McKinney and Slate's L.V. Anderson wrote that the EP's title track and "All About That Bass" are anti-feminist; Anderson stated that the songs send the message that "a woman's worth is defined by men" and set a negative example for Trainor's young female audience. Trainor responded to the anti-feminism claims by commenting, "I don't know, man! I just wrote a fun song about loving your booty and loving your body!" She released her second single "Lips Are Movin", a retro song in a similar vein to its predecessor, on October 21 that year. The song peaked at number four on the Billboard Hot 100, also reaching the top 10 in Australia, Canada, and New Zealand. Billboard ranked her as the fourth Top New Artist of the year placing her 12th on their annual list of the most powerful people in music under the age of 21. Trainor's three self-released albums were removed from sale in the build-up to the release of her major-label debut studio album Title, which replaced her EP of the same name on the iTunes Store, and was released on January 9, 2015. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, it received an average score of 59 based on 13 reviews, indicating "mixed or average reviews". The album debuted at number one on the US Billboard 200, earning a triple platinum certification from the RIAA. It was the ninth best-selling album of 2015 worldwide, with 1.8 million copies sold according to IFPI. The album's later singles "Dear Future Husband" and "Like I'm Gonna Lose You" reached the Hot 100's top 20, and the latter reached number one on the Australian Singles Chart. The music video for "Dear Future Husband", which depicts Trainor scrubbing a kitchen floor, drew criticism and online critics labeled it as "sexist" and "anti-feminist" for its po

 

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