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Take Advantage of Our 40 Years Experience Living Off The Grid and Turn Your Home Into a Self-Sufficient Homestead

We would like to share with you all the projects we made here in our small paradise in minute detail so that you can start implementing them on your land or in your house and profit for the rest of your life.

We'll also cover subjects in depth such as water, food preservation, off grid power, medicinal garden, you name it. We want to put in your hands helpful how-to illustrations … easy to follow, step-by-step advice … brilliant tips and ingenious time-savers. From all the projects you'll find in The Self-Sufficient Backyard I'm pretty sure you'll find some that are suitable for your property.

We've created what may well be the most comprehensive, step-by-step system to transform a regular homeowner or apartment dweller into an independent, self-sufficient homesteader.

Get Yours " The Self-Sufficient Backyard " For The Independent Homesteader

The company was formed in 1979 by Rod Smallwood and Andy Taylor, who met as undergraduates at Trinity College, Cambridge. In 1979, they discovered Iron Maiden in a London pub and went on to manage the group. They named the record company after the band's song "Sanctuary," which was released as a single in 1980, and later included on American pressings as well as the reissued CD version of their 1980 eponymous debut album. Sanctuary Records has historically signed artists with long-term appeal that have had a long career and steady fan base. Between 1989 and 1991, Sanctuary was co-owned by the Zomba Group, whose music publishing arm still held the music of Iron Maiden in 2001. In 1994, the company diversified. Amongst the new media interests included a joint venture with screenwriter and producer, Raymond Thompson, which evolved into the Cloud9 Screen Entertainment Group. Iron Maiden's back catalog was re-issued by Sanctuary in conjunction with Columbia/SME Records in the US in 2002. Kenny Rogers' 1980s back catalog (originally released on RCA Records) was re-issued by Sanctuary's Castle Music label in conjunction with Kenny Rogers' Dreamcatcher Records in the UK. The albums were only available as imports in the US. Rogers' 2003 release "Back To The Well" was released by Sanctuary in the UK. Mayan Records was an imprint of Sanctuary Records, under which Lordi's UK album The Monster Show was released. 2006 saw Sanctuary's notable twentieth anniversary release of CD86: 48 Tracks from the Birth of Indie Pop, a reissue of the pivotal UK independent compilation C86. The company incurred significant losses in its 2004 and 2005 fiscal years. Sanctuary's losses in 2005 increased to £142.6m from £26.7m in 2004. In October 2005, the company announced that one quarter of its staff, representing 175 positions, would be eliminated. One such layoff was John Kalodner, senior vice-president of A&R, with over thirty years of industry experience. The company partly blamed the loss increase on record release delays, while announcing, in early 2006, a £110m rescue deal. These events, plus pressure from the UK financial and business leaders led to Smallwood becoming merely a general manager of the company, Taylor becoming Chief Executive and former British Airways chief executive Bob Ayling being installed as the new Chairman. On 26 May 2006, Ayling dismissed Taylor, following a review of accounting practices prompted by inquiries from the Financial Reporting Review Panel. The board's publicly stated reason for the dismissal was "that certain of the prior year adjustments made in the 2005 accounts should have been presented as a correction of fundamental errors and not as changes in accounting policy". Taylor was replaced by Frank Presland, the chief executive of Sanctuary-owned Twenty-First Artists Management. In July 2006, it was reported that MAMA, the management group behind the Kaiser Chiefs and Franz Ferdinand and headed by Mean Fiddler chief Dean James, had bid for the group. This proved unsuccessful, further depressing the share value of the company. In late 2006, Rod Smallwood left the company, taking with him Iron Maiden's management interests